Music licensing company PPL has posted another set of record results, collecting £246.8 million for performers and record labels in 2018.
As exclusively revealed in this week’s print edition of ...
A new report published by the Music Managers Forum (MMF) claims that inefficient payment systems are reducing the digital royalties that creators receive.
While featured artists can be paid royalties ...
ASCAP (The American Society of Composers, Authors and Publishers) has reported that revenues for 2018 topped $1.227 billion (£939m), an increase of 7% over 2017.
ASCAP distributions crossed the $1bn ...
PRS For Music reported record revenues this week as they issued their 2018 results.
But some in the industry are less impressed by the revised administration fees that the collection ...
PRS For Music CEO Robert Ashcroft has told Music Week the collection society has had a “fantastic success” in its latest set of results. It marks the final set of ...
PPL chief executive Peter Leathem has said that the collection society is helping to bring about “lasting change” in relation to diversity in the music industry.
It follows the publication ...
The music industry has been celebrating the passing of the Copyright Directive – including the contentious Article 13 (renamed Article 17) – in the European Parliament. You can read their ...
PRS For Music has revealed its gender pay gap figures for 2018.
Unlike most other major music industry companies and organisations, the collection society has issued the data ahead of ...
The music business has given its reaction after MEPs voted to back the EU Copyright Directive, including Article 13.
The proposals were approved by 348 votes to 274 following ...
PRS For Music has today (March 8) revealed that of the top 20 highest earning songwriters and music composers in the UK last year, only one was female.
According to their ...
