Beabadoobee is Music Week’s brand new cover star. In an epic interview, Bea Laus tells the story of Beatopia, her eagerly anticipated second record for Dirty Hit. The 22-year-old ...
This year, Peter Leathem is celebrating 10 years as CEO of PPL, during which time he has proved that music royalties are a vital part of our industry’s ecosystem, ...
Helen Sachdev has been appointed chair of PPL PRS Ltd, the joint public performance licensing venture operated by PPL and PRS for Music.
Sachdev takes over from Teresa Robson-Capps. ...
PPL has delivered a 12% year-on-year increase in revenues in 2021 to £252.8 million.
All three revenue streams – international, broadcast & online, and public performance & dubbing - grew ...
Music Week is delighted to announce that PPL will once again sponsor the Radio Station category at the Music Week Awards 2022.
The Music Week Awards takes place on May ...
SFH, Iceland's neighbouring rights collective management organisation, has signed a five-year deal for PPL's business services offer.
The deal will see PPL support SFH with the distribution of royalties to ...
PPL has today (February 10) revealed it collected a new record of international monies in 2021.
The UK music licensing company collected £94 million last year, 9.4% up on its 2020 total.
PPL is supporting the 2022 edition of Independent Venue Week, the annual seven-day celebration of independent music venues around the UK.
Taking place from January 31 to February 6, ...
PPL and PRS For Music executives have spoken about how they can help to influence the industry on accelerating progress on diversity in recruitment.
Both music licensing organisations have recently ...
PPL has named Pink as the most played female artist of the 21st century in the UK.
PPL’s chart kickstarts celebrations for the fourth edition of National Album Day on ...
