IFPI has issued its much-anticipated Global Music Report for 2022.
The International Federation of the Phonographic Industry represents the recorded music industry worldwide - more than 8,000 record companies across ...
Australasian music royalties have been hit by the Covid-19 pandemic and bushfires which swept the country this year.
Projected revenue is now set at A$474.5 million (£259.6m), a downgrade from ...
US performance rights organisation SoundExchange has appointed Esther-Mireya Tejeda as its new chief marketing and communications officer.
Tejeda will oversee the company’s brand strategy and marketing, global communications and public ...
President Donald Trump has finally done something the music industry approves of: he’s officially signed the Music Modernization Act into US law.
The bill – which will reform mechanical licensing ...
Former PRS For Music exec Karen Buse has landed a new role at US collection society BMI as managing director, European society relations.
Highly-respected Buse, who joined Music Week’s Women ...
PRS For Music CEO Robert Ashcroft has told Music Week that the collection society’s long-awaited licensing joint venture with PPL will go live in a matter of weeks.
Music Week ...
PPL has announced a record quarterly international payment to its members. Music Week broke the news in our interview with chief executive Peter Leathem in the latest issue.
The ...
BMI has broken revenue records for the third consecutive year, generating $1.13 billion (£857 million) to the end of its 2017 fiscal year. The company distributed and administered $1.023 billion ...
Grammy award-winning Adele has signed to US music rights organisation SESAC for representation across the pond.
The news came from John Josephson, the chairman and CEO of SESAC Holdings, Inc., ...
The American Society of Composers, Authors and Publishers (ASCAP) and YouTube have signed a multi-year agreement for US public performance rights and data collaboration.
Effectively immediately, the deal will see ...
