Craig Logan is sitting in his office. It’s 1999 and he’s VP of international at EMI. He’s studying a budget for the forthcoming year, working out priorities for the likes ...
Yorkshire Tea and dad dancing.
On the night Music Week visits MistaJam’s BBC Radio 1Xtra studio, the chat in the room is more working men’s club than new music hub. ...
In 2016, Metallica released their long-awaited double album, Hardwired… To Self-Destruct. In 2017, they toured the world and broke records with it. Here you can read what happened ...
Each week, Music Week profiles the brightest new talents in the business. This week, Bee Thomas of Warner Music tells her story...
How did you break into the music industry? ...
Pirate radio is vital because…
“It’s the epitome of raw talent, it’s where things start, there’s no rules, no bias, it’s just about what’s hot and giving the people what ...
Stereophonics’ first shot at the big time was nearly scuppered before it started – by Kelly Jones’ mum. It was 1996, at the peak of Britpop, when Richard Branson called ...
To celebrate 10 years of SBTV, Music Week asked the industry for their reflections on Jamal Edwards' revolutionary work in the business...
ParrisO’Loughlin-Hoste, urban promotions manager, Sony Music UK“Jamal ...
As SBTV celebrated 10 years in business, founder Jamal Edwards sat down with Music Week last month to look back on a decade during which he made friends from ...
The biggest differences between UK and US audiences are…
“UK audiences seem to take the time to listen to the music and to appreciate it, if it is appreciable. In ...
Richard Ashcroft had written Bitter Sweet Symphony around a sample of Andrew Loog Oldham’s orchestral version of the Rolling Stones’ The Last Time, and the first demo I heard of ...
