In a music world dominated by streaming, tracking royalties has moved centre stage. At any level of the ecosystem – from songwriters and independent artists, to top stars, major companies, ...
US performance rights organisation SoundExchange has appointed Esther-Mireya Tejeda as its new chief marketing and communications officer.
Tejeda will oversee the company’s brand strategy and marketing, global communications and public ...
PPL has announced it collected a record £271.8 million for performers and recording rightsholders in 2019 - a 10% increase on the previous year.
Growth was achieved across all three ...
For nine months, Andrea C Martin has kept her head down. The new CEO of performance rights organisation PRS For Music is something of an unknown quantity to the music ...
ABBA's Björn Ulvaeus has signed with PPL for the administration of his international neighbouring rights collections.
The Swedish singer-songwriter joins around 65,000 performers and recording rights-holders that PPL now collects ...
The long-running controversy over Spanish collection society SGAE’s business practices has finally produced some action, with umbrella group CISAC voting for SGAE’s temporary expulsion.
SGAE will be suspended from CISAC, ...
In the cover story of the new issue of Music Week, Robert Ashcroft, Peter Leathem, and Suzanne Smith take us inside the new joint venture between the ...
MCPS boss Jane Dyball has revealed plans to completely revamp the mechanical royalty collection society’s licensing strategy as she steers the business back into growth.
Mechanical royalties have been challenged ...
This week’s Music Week cover story on Kobalt continues to cause a stir. As well as the magazine piece, founder/CEO Willard Ahdritz has sounded off about his publishing rivals, ...
PPL and PRS For Music have today (May 23) appointed Suzanne Smith to the position of managing director at their joint venture for public performance licensing. Smith joins the company ...
