Skepta
Earth Agency’s Rebecca Prochnik tells the story of a seismic slot that proved a watershed moment for UK grime
I wasn’t selling Glastonbury a dream; they knew it was real because they had seen the reaction he got in 2015 on the Wow! Stage and there’s been such evident growth since then.
We discussed a number of slots, but the Pyramid Stage became a clear focus, because he was worthy of it at that point. It was ...
To access this article you need to be a subscriber. If you are a subscriber login below.
Login NowIf you have previously taken a trial you will need to subscribe to access this article.
Subscribe Now